Lily Holbrook

This week’s Voice to Hear is another MySpace discovery. Though this time it didn’t come to me as a request. I found her site while browsing someone else’s site. I wish I could remember who I started off with to discover her, but it’s lost in my slowly senile drifting mind. Whoever it was I owe a big thanks, because I have become hooked on Lily Holbrook. As soon as I landed on her page and the music started I was entranced. She has one of those voices that just reach out and grabs ahold of you and doesn’t want to let go.

Lily Holbrook is a young singer/songwriter that started her career busking on the streets of Boston while she was in college. Busking is another name for those street musicians you see on the side of the street or in the subway stations playing their guitar and singing with the guitar case opened for tips while most people wander by without even stopping to listen. Lily started her career this way because she was too shy to appear on stage and figured this was an easier way to sing in front of others. She soon gained enough confidence and a following that she started to play the local clubs in the Boston area and began to attract a following. Local busker and now recording artist/singer Mary Lou Lord calls Lily “Boston’s best kept secret.”

In 1999 Lily released her independent debut Running From the Sky. Drawing comparisons to Tori Amos and Kate Bush with her writing style and her singing/playing the album creates it sound with simple guitars and some strings. Her voice reminds me of Jewel, hauntingly beautiful.

Next up Lily was featured as one of 16 street musicians in the documentary Playing For Change. This documentary featured 16 different street singers and told their story. Her appearance in the movie helped secure her a contract with Backporch Records, a subsidy of EMI/Virgin.

Her next album was the Everything Was Beautiful and Nothing Hurt. For my money this is one of the best album titles I’ve seen. I like it when an artist titles his album something besides the name of his latest hit song. To me it sounds better when they dig a little deeper and name the album for some feeling or emotion they’re trying to convey with the entire album. Lily captures that perfectly with the title of this album.

This album uses a wider range of musical equipment and her folkie tendencies are joined with a wider range of musical noise. Writing that makes it sound like a terrible sound, but Lily pulls it off. She doesn’t lose her sound from her first album, she just adds a bigger musical palette to paint with.

A lot of Lily’s music concerns itself with beauty and physical appearances and what today’s society expects of women. On her new album she does a cover of Ozzy Osborne’s “Mama, I’m Coming Home” in tribute to her late brother. This is a beautiful cover of the song that slowly builds to a stunning climax.

Lily has left Boston for the warmer streets of L.A. While in L.A. she was presented with the idea of becoming the “next” Brittney Spears, but decided she would rather make music that mattered to her and not just sing formulaic pop songs. She’s since left L.A. for a life on the road and is touring in support of her music. Her last album was released two years ago, here’s hoping she’s working on a new one and also that her tour will bring her down this way.

As an added note and bonus Lily is one of the artists that I sent an interview to and has already emailed me back that she's working on it. I'm looking forward to seeing her Simply Six.

New Feature

We're proud to announce a new feature on VOICES TO HEAR. Our new feature is called Simply Six and presents six questions to some of the wonderful voices we have presented within our pages. And introducing our new feature is the talented Shannon McNally. We have a tendency to label each new artist we feature our favorite and we stand by these seemingly contradictory statements. It's hard to label someone a favorite when there are so many great voices out there, but if we had a gun held to our head and had to pick our top five Shannon McNally would definitely be among that group. We've seen her live many times, from a full band to a twosome to a solo outing and we can say without hesitation that she is one of the most talented live performers out there today.

We have another great artist coming for our next Simply Six and hopefully a lot more to come.

Interview: Shannon McNally

1. For many artists, they cite a defining moment for themselves when they knew they wanted to be a singer. For many it was the appearance of Elvis on the Ed Sullivan show, to another generation it was the Beatles’ appearance on Sullivan half a decade later. Is there such a defining moment for you?

I SAW TOM PETTY FULL MOON FEVER TOUR AT NASSAU COLISEAM ON LONG ISLAND WHEN I WAS 15. IT WAS THE MOMENT THEY WENT INTO 'DON'T COME AROUND HERE NO MORE' I THOUGHT I WANT TO BE THAT GUY RIGHT THERE.

2. When you’re not creating music what are you listening to? Who are some of your favorites?

DR. JOHN AND WAYLON JENNINGS

3. What would you say is your greatest moment so far as an artist, either on record or live?

THE OTHER NIGHT PLAYING GUITAR WITH KENNY BROWN IN COMO MISSISSIPPI.

4. Do you believe music can change the world or is just something to listen to? How much can music influence current events?

IT CHANGES THE WORLD REGULARLY. IT INFLUENCES EVERYTHING THROUGH EMOTION. IT'S AS POWERFUL AS WATER.

5. How has technology affected the music industry?
IT'S WATERED DOWN THE IMPORTANCE OF TALENT.

How has technology affected your career as a musician?
IT'S MADE IT HARDER FOR PEOPLE TO FIND ME BECAUSE I DON'T USE A LOT OF IT AND FOLKS ARE SO USED TO IT MANY PEOPLE DON'T RECOGINIZE MUSIC WITHOUT IT.

6. Now for my Barbara Walters question: If you were a pair of shoes what type of shoes would you be?

KNEE HIGH MOCCASINS.

Patty Griffin

This week’s voice to hear has been recording since the mid nineties. She’s had a fair share of acceptance, her most recent album debuted at #34 on the charts, but she still is far from a household name. She’s Patty Griffin, currently living in Austin Texas and one of the most accomplished singer/songwriters currently working.

Her newest album Children Running Through was released in February of this year and a lot of magazine critics were already calling it the best album of the year, only two months in the year, but they felt it was such a strong album. Patty has always been a great singer, but on her new album her voice goes places she’s never visited before to bring the emotion for these songs. The album is more a stripped down affair, with some horns and strings, that bring to mind classic R&B and gospel music.

One of the songs from her new album “Up To The Mountain” was sung by Kelly
Clarkson on the special edition of American Idol with guitar accompaniment by Jeff
Beck. Patty’s songs have been widely covered by other artists. The Dixie Chicks have sung three of her songs on their albums. Other artists that have covered her material are Martina McBride, Mary Chapin Carpenter, Emmylou Harris, Solomon Burke and Bette Midler.

Patty was living in Boston waiting tables and taking guitar lessons when her teacher persuaded her to accompany him on stage one night. This helped her overcome the stage fright she had and enabled her to start performing in public. She soon landed a spot at A&M Records and her first album Living With Ghosts. The album was basically her stripped down demos released after trying to cut more elaborate studio versions failed. Her next album Flaming Red brought more sound to her songs and was somewhat of a surprise to her fans after hearing the more low key first album.

Her next album became a casualty of the ever changing world of the music business. The album was recorded in 2000 and was never released. Two years later she signed with Dave Matthews’ label and released the folk inspired mostly acoustic album 1000 Kisses. This was followed shortly by a live CD/DVD A Kiss In Time.

2004 she came out with a new album entitled Impossible Dream. “Top of the World” from this album was covered by the Dixie Chicks and the song “Kite” was used in the television show Joan of Arcadia in one of the best uses of a song for a show I think.

Her current album came out at the start of this year and is considered to be her best music to date. Her singing has never been better and the album finds her mixing gospel and R&B influences with her folk leanings. While I think it is too early in the year to call it the best album of the year like some critics have already done so I will safely concede that it will be one of the top albums of the year.

"Kites"

Springsteen at Jazz Fest 2006

This is another post from my other blog altjiranga mitjina from last year. It also may seem to miss the point of this site, providing a place to promote those that needs promoting. Mr. Springsteen needs little in the help of promotion. But this site is called "Voices to hear" and while it is intended mainly to give those that need a push that push, we dont' want to ignore something just because it comes from a Big Name. Plus this post talks about why music is so important and what it can mean to us.

It's been almost a week since the end of last week's Jazz Fest. I'm sure most of you have heard about Springsteen's appearance at the Fest. In Springsteen lore there are tales of his legendary concerts: the appearance at Bottom Line where Jan Landau came up with the future of rock and roll quote, his first London show, and others. These are the shows that his fans talk and write about, the ones that every Springsteen fan wishes he had been present at. Now you can add another one to that list.

I've seen Springsteen a few times over the years and he always gives a good concert. He puts on a good show, he knows how to play to the crowd. He doesn't stint on his time, he puts it all out there for his fans to see. But no show by Springsteen that I've seen comes close to this show. In fact I'm trying real hard to think of any show that I've seen that can compare to this one.

I talked in a previous post about the importance of this Jazz Fest to the city of New Orleans. In this one concert Springsteen shows he understands what is important and delivers on it. I'm not a religious person and I have never gotten what such a person gets from going to church, until this show. This might be the closest I have come to finding my religion. I've always thought music was the closest I've come to following a religion and today I was in church.

Springsteen opened with a rocking version of "Mary, Don't You Weep" and continued with his versions of the songs off his newest cd "The Seeger Sessions." He added "What's A Poor Man To Do", a song originally wrote in 1929 after the crash of the banks that eventually lead to the Depression. He kept the first verse, but wrote his own second and third verses to fit the destruction and aftermath of Katrina. And he dedicated it to President Bystander.

But the most moving moment came during his own song, "City in Ruins." This song started with him alone on his guitar. As he sang the lyrics it was obvious that this song could have been written for New Orleans after Katrina. And than when the band kicked in with the chorus of "Rise UP!" Hands went in the air, waving back and forth. But many of these hands kept returning to faces, to wipe away the tears. I don't know if I've ever been moved to tears at a concert, but I found myself wiping my own eyes.

Springsteen ended with his version of "When the Saints Come Marching Home." He sang it almost as a hymn. It was one of the most beautiful versions of the song I have ever heard.

This concert went from joy to despair, from laughter to tears. Springsteen made the truth of the importance of the Jazz Fest on this day.

Will Hoge at Bonnaroo

This review originally appeared on my blog altrjiranga mitjina on July 1, 2005:


Most people have heard of the famous quote about Bruce Springsteen...."I have seen the future of rock and roll and its name is Bruce Springsteen." Now I'm not going to argue that point. But I will say that if there is a future for rock and roll it will be due to people like Will Hoge.

Will played what they called the cafe tents at Bonnaroo. These were small tents set up that sold beer or coffee. They had tables set up and probably held a hundred people if everyone was jammed together. From what I gather this was the first year they did this. The state of Tennessee was pushing Bonnaroo to feature more local acts. So Bonnaroo decided to use these cafe tents to showcase some of the local acts. Will is from Nashville and got the call to come play. He played two shows at the fest.

Will played the first show like his life depended on it. He played as if this was going to be the last show he ever played and decided to go out in a blaze of glory. This was the third time I've seen Will play and all times he's given a great show, but there was something about this one that was more intense. He played with an intensity that most performers never exhibit.

All the shows I saw at Bonnaroo were great, but Will played more with his soul and heart than almost anyone else there. (I have to say Joss Stone gave a soulful show also.) It's hard to decribe, but you know what it is when you've been to one of those shows. You can walk out of a show and think it's great, but than every now and than if you get lucky you walk out of a show and feel like you've been beat up, as exhausted as the singer, like the singer has taken your life and just looked inside it and told you secrets that you never imagined. That was what this show was.

Will knows his rock history. He dedicated Bye Bye Johnny to Johnnie Johnson, the pianist that played with Chuck Berry and helped shape the future of rock and roll. He always throws in a few covers that work great. My only complaint is that normally he ends his show with no instruments or backups at all. He steps away from the microphone and just sings, with nothing but his voice powering the lyrics. It's a great ending, this time he didn't. But it still was a great show.

The first time I saw Will he opened for John Hiatt, during John's acoustic tour. Will perfomed with just his guitar and no band. Normally opening acts aren't worth listening to, but he was great. After his show he stayed around selling copies of his cds and signing autographs and talking to anyone that wanted to talk.

Will and his band travel all over performing. They've released a couple cds, their newest one is a live cd. Go to WillHoge.com and check him out.

It's nice to know that there is still a future for rock and roll.