Simply SIx: Susan Cattaneo

Susan Cattaneo is from New England.


1. For many artists, they cite a defining moment for themselves when they knew they wanted to be a singer.  For many it was the appearance of Elvis on the Ed Sullivan show, to another generation it was the Beatles’ appearance on Sullivan half a decade later.  Is there such a defining moment for you?

The moment that set into motion my desire to be a singer actually didn’t happen at a concert of a star performer but happened closer to home. I am as the youngest of four kids, and the sister that is closest to me in age is a talented singer of musical theater. She is six years older than I am and was my idol growing up. Watching her up on stage and being swept away by her voice was my inspiration and created the driving force behind my desire to be a singer and performer.

2. When you’re not creating music what are you listening to?  Who are some of your favorites?

I love listening to a wide range of performers in lots different genres. Some of my favs include Bruce Springsteen, Bonnie Raitt, Little Big Town, Emmylou Harris, Kim Richey, Peter Gabriel and U2.

3. What would you say is your greatest moment so far as an artist, either on record or live?

When I went in to start recording my latest cd, one of the first songs I worked on was Just Like It Was Texas. The track was a full-blown country ballad with lots of instrumentation, and I went into the studio and sang it in a brash, strong and powerful way - woman as “survivor” of love. As I was driving around with the rough mix in the car, I confess I hated the way the song sounded. It was coming out harsh and strident, and I even thought of dropping it from the album.

Then, one day, I sat down with the lyrics and tried to remember why I had written it. The hook had come from an old boyfriend’s love letter that began with, “Dear Susan, You drove cross my heart just like it was Texas”. Remembering this, I decided to change my entire approach to the song and make it a quiet and simple love song. We pared back a lot of the instrumentation, and I re-sang it in a gentler, more intimate way. As a singer, I am always thinking about singing properly, with as much technical proficiency as I can muster. This time, though, I interpreted the song not for perfection, but for emotional connection. The song came to life for me at that moment, and it transformed the way I sang all the other songs on the album. This moment has changed the way I perform these songs live as well. I feel like it’s opened up a whole new world of connecting to my music and therefore, my audience, and I am so grateful for the experience.

4.  Do you believe music can change the world or is just something to listen to?   How much can music influence current events?

I think the power of music is immeasurable. I most definitely believe it can change the world. I was recently reading a book on the ways that music can be used as pain therapy, and how people’s recovery from an operation can be quicker and less painful if music is part of their recovery program. I think music can motivate and comfort. It can set the mood for any occasion, and I think it can speak for causes in ways that speechmaking and politics can’t. A personal experience: When 9/11 happened. I was nine months pregnant with my daughter, and we had lived in Manhattan for eight years before moving to Boston, so watching those events unfold in our old home town was particularly hard. I had a lot of conflicting emotions - here I was welcoming new life into the world, at a time when so many lives had been lost. I remember hearing Springsteen’s The Rising soon after, and that album beautifully translated my feelings of grief and hope. I listened to it a lot during that year and found that it contained light as well as shadow, which echoed how I was feeling and comforted me at a time when I needed it.

5. How has technology affected the music industry?  How has technology affected your career as a musician?

In my opinion, technology has been a godsend as well as a curse to the music industry. On one hand, technology has given artists the ability to record songs and reach out to the people globally through sites like Facebook and Twitter. Also, technology has given us the ability to make our own quality music at home instead of having to rely on a studio every time.

On the other hand, as a teacher and lyricist, I am seeing a shift to produced tracks that may be finely crafted sonically, but that have minimal lyric content or creativity, and I’m concerned that this is more than just a current trend.

As an artist, I confess I have been reluctant to join the techo- world, but I do find many ways to make it work for me. First of all, I probably should have been a doctor, because my handwriting is atrocious, so once I could write and edit lyrics on the computer, it changed my world. Also, I love the ability to create a song and get it in some recorded form immediately. I also really like being able to write from a drum loop and to manipulate music to expand or contract sections and then be able to play them back immediately.

6.  Now for my Barbara Walters question:  If you were a pair of shoes what type of shoes would you be?

Definitely, a pair of black ostrich Lucchese cowboy boots. I think they’re hip, sexy, classic yet honkytonk…all adjectives that I hope apply to me and my music!

SIMPLY SIX: John MacLean

John MacLean is a singer/songwriter from Massachusett.

1. For many artists, they cite a defining moment for themselves when they knew they wanted to be a singer. For many it was the appearance of Elvis on the Ed Sullivan show, to another generation it was the Beatles’ appearance on Sullivan half a decade later. Is there such a defining moment for you?

By 1979 I thought I had missed my chance to be a singer, player, songrwiter - any of those things I had sort of dreamed of. I was well past my teens and figured it was too late to start learning. But that year my great dear friend George Brown, who is a wonderful Texas born guitar player and singer, was living in my house in Baltimore. One night he played Townes Van Zandt's "Pancho & Lefty" and I was suddenly knocked over by the realization that I had to learn to play and sing. George taught me how

2. When you’re not creating music what are you listening to? Who are some of your favorites?

There are so many! Constants include Bruce Springsteen (especially "Nebraska"), Richard Shindell, Kate Campbell, Lyle Lovett, Dick Gaughan, Dylan, John Prine, Emmylou Harris, and Steve Earl. More currently, I have discovered Antje Duvekot and Cliff Eberhardt and just love their music.

3. What would you say is your greatest moment so far as an artist, either on record or live?

For my song "Liar's War (Letter Home)" to receive honorable mention in the 2005 Boston Folk Festival Singer Songwriter Contest was a defining moment. I gave me the courage to believe I am a songwriter. As for live performing, the first time I stood in front of a microphone and sang to an audience was my greatest moment - not for the quality of my performance but simply because I did it. I'll never forget that.

4. Do you believe music can change the world or is just something to listen to? How much can music influence current events?

I'm not sure that music can change the world all by itself BUT I do believe it can provide unmeasurable emotion, unity, and focus when a serious cause is brewing. Music is very, very powerful. Songs make me cry all the time.

5. How has technology affected the music industry? How has technology affected your career as a musician?

Everything has changed and fragmented. On the one hand that has meant CD stores are closing down all over the place and few people buy my actual CD, but on the other hand the door is wide open for unsigned artists to get heard in so many other ways, especially on the internet. Voices to Hear is a perfect example of that. And I've sold mp3's and CD's as far away as Belgium and France via iTunes! Couldn't have imagined that ten years ago.

6. Now for my Barbara Walters question: If you were a pair of shoes what type of shoes would you be?

Easy. A well worn in pair of snakeskin boots - just like the pair I bought in Scottsdale, Arizona twenty years ago. They always remind me of the Texas origins of my earliest music education from George Brown.

Buddy Miller

(Buddy Miller on tour with Allison Krauss and Robert Plant)

This week’s voice to hear is Buddy Miller. Buddy calls Nashville home and is an in demand session player and producer as well as a superb songwriter and singer. He also records with his wife Julie. Besides country music Buddy considers himself a Christian singer, though it might not be quite the church music you’re used to.

Buddy started out playing in a bluegrass band in high school. After traveling the country playing his guitar he ended up in New York with the Buddy Miller Band with a young Shawn Colvin singing and playing guitar. After a few years of this he ended up moving to Nashville. Along the way he met and fell in love and eventually married Julie.

Buddy is the leader of Emmylou Harris’ band and has helped produce her more recent albums. She has called Buddy one of the best guitar players of all time. He has gained fame as a songwriter, with artists such as the Dixie Chicks, Lee Ann Womack and Brooks and Dunn covering his songs.

Buddy is not just a behind the scenes person though. He has stepped out front to write and sing his own songs, as a solo act and with his wife Julie. He has released 7 albums between his solo career and with Julie.

His most recent disc is Universal United House of Prayer. It’s a country album that rocks, a protest album, a gospel album…there are many things this album could be called, among them I would call it great. This is a theme album and the theme is the soul. He writes of the problems the word is facing today and their impact it has on the soul. The centerpiece of the album is his covering the Bob Dylan classic “With God on Our Side.”

Even more recent Buddy has produced a new album for soul great Solomon Burke called Nashville. His album Universal United House of Prayer won the 2005 Album of the Year award from the Americana Music Awards. Currently he's touring with Allison Krauss and Robert Plant. The final issue of the great Americana Magazine No Depression named him the Artist of the Decade.

Buddy is widely sought after for his musical skills and knowledge, both as a guitar player and a producer in Nashville. He continues to tour with Emmylou Harris and record with others as well as put out his own music and record with his wife Julie. It’s been a few years since he put out his last album so hopefully he has something new coming out soon.

Buddy Miller

This week’s voice to hear is Buddy Miller. Buddy calls Nashville home and is an in demand session player and producer as well as a superb songwriter and singer. He also records with his wife Julie. Besides country music Buddy considers himself a Christian singer, though it might not be quite the church music you’re used to.

Buddy started out playing in a bluegrass band in high school. After traveling the country playing his guitar he ended up in New York with the Buddy Miller Band with a young Shawn Colvin singing and playing guitar. After a few years of this he ended up moving to Nashville. Along the way he met and fell in love and eventually married Julie.

Buddy is the leader of Emmylou Harris’ band and has helped produce her more recent albums. She has called Buddy one of the best guitar players of all time. He has gained fame as a songwriter, with artists such as the Dixie Chicks, Lee Ann Womack and Brooks and Dunn covering his songs.

Buddy is not just a behind the scenes person though. He has stepped out front to write and sing his own songs, as a solo act and with his wife Julie. He has released 7 albums between his solo career and with Julie.

His most recent disc is Universal United House of Prayer. It’s a country album that rocks, a protest album, a gospel album…there are many things this album could be called, among them I would call it great. This is a theme album and the theme is the soul. He writes of the problems the word is facing today and their impact it has on the soul. The centerpiece of the album is his covering the Bob Dylan classic “With God on Our Side.”

Even more recent Buddy has produced a new album for soul great Solomon Burke called Nashville. His album Universal United House of Prayer won the 2005 Album of the Year award from the Americana Music Awards.

Buddy is widely sought after for his musical skills and knowledge, both as a guitar player and a producer in Nashville. He continues to tour with Emmylou Harris and record with others as well as put out his own music and record with his wife Julie. It’s been a few years since he put out his last album so hopefully he has something new coming out soon.

Patty Griffin

This week’s voice to hear has been recording since the mid nineties. She’s had a fair share of acceptance, her most recent album debuted at #34 on the charts, but she still is far from a household name. She’s Patty Griffin, currently living in Austin Texas and one of the most accomplished singer/songwriters currently working.

Her newest album Children Running Through was released in February of this year and a lot of magazine critics were already calling it the best album of the year, only two months in the year, but they felt it was such a strong album. Patty has always been a great singer, but on her new album her voice goes places she’s never visited before to bring the emotion for these songs. The album is more a stripped down affair, with some horns and strings, that bring to mind classic R&B and gospel music.

One of the songs from her new album “Up To The Mountain” was sung by Kelly
Clarkson on the special edition of American Idol with guitar accompaniment by Jeff
Beck. Patty’s songs have been widely covered by other artists. The Dixie Chicks have sung three of her songs on their albums. Other artists that have covered her material are Martina McBride, Mary Chapin Carpenter, Emmylou Harris, Solomon Burke and Bette Midler.

Patty was living in Boston waiting tables and taking guitar lessons when her teacher persuaded her to accompany him on stage one night. This helped her overcome the stage fright she had and enabled her to start performing in public. She soon landed a spot at A&M Records and her first album Living With Ghosts. The album was basically her stripped down demos released after trying to cut more elaborate studio versions failed. Her next album Flaming Red brought more sound to her songs and was somewhat of a surprise to her fans after hearing the more low key first album.

Her next album became a casualty of the ever changing world of the music business. The album was recorded in 2000 and was never released. Two years later she signed with Dave Matthews’ label and released the folk inspired mostly acoustic album 1000 Kisses. This was followed shortly by a live CD/DVD A Kiss In Time.

2004 she came out with a new album entitled Impossible Dream. “Top of the World” from this album was covered by the Dixie Chicks and the song “Kite” was used in the television show Joan of Arcadia in one of the best uses of a song for a show I think.

Her current album came out at the start of this year and is considered to be her best music to date. Her singing has never been better and the album finds her mixing gospel and R&B influences with her folk leanings. While I think it is too early in the year to call it the best album of the year like some critics have already done so I will safely concede that it will be one of the top albums of the year.

"Kites"

Theresa Andersson

She put out one of the best albums of the year in 2006, but most people have never heard of her. Outside New Orleans she is hardly known, if at all, by most listeners. Her name is Theresa Andersson and she is another transplanted native to the crescent city. Originally from Sweden Theresa moved to New Orleans with her boyfriend at the time Anders Osborne. Anders is another local singer/songerwriter. After living together the two broke up and Theresa went her own way, first moving to Nashville than Austin until she finally found her way back home to New Orleans.

Theresa is a singer and multi-instrumentalist, playing everything from guitar to the banjo to her preferred choice the violin. But don’t expect sweet classical sounds to come from her violin. She makes her violin wail like a heavy metal guitarist does his guitar. Her singing style is reminiscent of Emmylou Harris and Lucinda Williams. She can sing anything from a sweet ballad to a more rocking tune.

To date she’s released four albums, from the debut titled Vibe to the now out of print No Regrets to Shine and her latest the self titled ep. Her most recent was supposed to be a full length but a little something called Katrina interrupted the recording process. Afterwards she decided to release what she had finished as a five song ep. This small album was one of the best pieces of music that was put out in the year 2006. Every song on it was a gem, from the Lucinda Williams cover of “Jackson” to the surprise cover of the Madonna song “Boderline”. If you’re not a fan of Madonna, don’t worry, this song does not sound anything like the Material Girl. I listened to it twice before I realized where I had heard the original song.

Theresa is not a writer of her own material, but she has a great ear for picking wonderful tunes to record. I think this is important. Too many singers want to write their own material, even if they’re not capable of it. I think it shows great wisdom for a singer nowdays to chose other writer’s material and not think they have to write all their own material.

In concert Theresa shows a lot harder rocking side than she has so far on disc. She makes her violin wail like a banashee in concert. Her version of Gillian Welch’s “I Want to Sing Rock and Roll” is a classic that deserves to be recorded.

She is currently working on a new record that should be out by the end of summer. This is a release you should mark down and make a point of getting when it comes out. If it’s half as good as her last one it will be great.

"Borderline"